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(Bird & Bull Press) Bon Mots

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39. ([tag]Bird & Bull Press[/tag]) Bon Mots. A set of 12 colored sheets printed with various quotations, some with color printed illustrations or text. Each has a light card mount. 11” x 8.5”. No place or date indicated. No related posts.

(Bird & Bull Press) My Log & Diary: 1994-2005. by Henry Morris

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38. ([tag]Bird & Bull Press[/tag]) My Log & Diary: 1994-2005. Interspersed with anecdotes and observations on book collecting, printing, private presses and other bookish matters. By [tag]Henry Morris[/tag]. Newtown. 2005. 105p. 12" x 9". Printed on Arches Mouldmade paper at the [tag]Bird & Bull Press[/tag] in July 2005. Composed in Dante types by Michael and Winifred Bixler. Color and black and white illustrations, tip-ins and photographs. Bound by the Campbell-Logan Bindery in textured dark blue Japanese cloth with gilt 'B & B' on front cover; tan/yellow leather spine with blue leather title label. Matching blue cloth slipcase. One in an edition of 160 copies. Fine. "This book is a continuation of the entries in Two Birds with One Stone, which was published in 1994 and covered the period between 1980-1993. "These entries describe the day-to-day operation of a private press and include details of the making of many of my books which would usually remain unknown. " - [tag]Henry Morris[/tag].

(Bird & Bull Press) In Black & White. A wood-engraver’s odyssey by Wesley Bates

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37. ([tag]Bird & Bull Press[/tag]) In Black & White. A wood-engraver’s odyssey by Wesley Bates. Newtown. 2005. 74p. 10.5” x7.375”. Wood engravings throughout, and a four-color fold-out wood engraving. Printed on Zerkall mouldmade paper. Composed in Dante types by Michael and Winifred Bixler. Bound at the Campbell-Logan Bindery in black Japanese cloth with red leather title label and black and white wood-engraved paper label on front board. Red cloth slipcase. One in an edition of 140 copies. Fine Bates writes: "I was given a set of wood engraving tools for Christmas in 1980. I was married then and on a whim, my wife gave me the tools and a couple of end grain blocks to see if I would be interested. At art school I had been very involved in making wood cuts, so her gift was not far from the known, but at that point in my life I was only aware of wood engraving as the name of a related medium." - Prospectus. Bates' work as a professional illustrator includes the medium of scraperboard, which produces an image that can appear to be a woodengraving. The process ... is explained and a comparative example is included.

(Bird & Bull Press) Son of The Bookbinder. By Gregor R. Campbell

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36. ([tag]Bird & Bull Press[/tag]) Son of The Bookbinder. By Gregor R. Campbell. Newtown. 2004. 81p. 9.25” x 6.25”. With an Appendix showing samples of some of the finest bookcloths manufactured today. Printed on Frankfurt mouldmadepaper in Bell types composed by Michael and Winifred Bixler. Bound at the Campbell-Logan Bindery in brown textured Japanese bookcloth. Appendix with 5 card accordion fold sheets of samples bound in green textured Japanese bookcloth. Both items with gilt lettered brown leather title labels and in a dark brown textured cloth slipcase. One in an edition of 170 copies. Fine. The Appendix contains a selection of 12 bookcloths each from five different makers in Japan, Holland, Germany and Italy; a total of 60 samples of some of the most beautiful bookcloths available today.

(Bird & Bull Press) Henk Voorn to Henry Morris: Selected Correspondence June 1967-July 1981

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35. ([tag]Bird & Bull Press[/tag]) [tag]Henk Voorn[/tag] to [tag]Henry Morris[/tag]: Selected Correspondence June 1967-July 1981. Newtown. 2003. 56p. 8”x 11”. 16 color illustrations tipped in, plus vignettes in red and a drawing of Voorn. Printed in Garamond on Zerkall mouldmade paper. Bound in deep red Japanese cloth in black cloth slipcase. One of 150 copies. Fine. "Leonard Schlosser considered Henk Voorn to be the leading paper historian of his time, and Voorn’s name is well known to all those interested in papermaking history. The earlier letters include personal details and much information concerning the planning and publication of Old Ream Wrappers (1969), ... first trip to the U.S. ... trips to IPH Congresses ... and matters dealing with papermaking history." - Prospectus

(Bird & Bull Press) Forty-Four Years of Bird & Bull: A Bibliography

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34. ([tag]Bird & Bull Press[/tag]) Forty-Four Years of Bird & Bull: A Bibliography, 1958-2002. Compiled by [tag]Sidney E. Berger[/tag] and with a Foreword & Commentary by [tag]Henry Morris[/tag]. Newtown. 2002. 99p. plus unpaginated inserts. 12.75” x 9.5”. Printed on Arches Mouldmade in Dante types composed by Michael and Winifred Bixler. Many tip-ins, inserts, and fold-outs. Brown leather spine with green leather title label; green cloth boards. Matching green Japanese cloth board folder containing examples of Bird & Bull printing. All laid in green cloth drop-back box with brown leather title label on spine.One in an edition of 150 copies. Fine. “Included in the inch thick portfolio of specimens is a 16pp. small folio booklet with the complete woodcuts of Three Lions and the Cross of Lorraine (1992), which is now a scarce and expensive book. ... An additional inner portfolio contains a generous collection of leaves from Dard Hunter & Son (1998). “ - Prospectus. Morris also writes in his Prospectus: “I have tried to make my comments informative and engaging. ... and to provide this information in an enjoyable form.” In true [tag]Henry Morris[/tag] fashion, there are many amusements throughout - which I leave for the reader to discover!

(Bird & Bull Press) The Booksellers of San Seriffe, limited edition

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33. ([tag]Bird & Bull Press[/tag]) The Booksellers of San Seriffe. [By] Theodore Bachaus, D.S.E. San Seriffe Publishing Company.2001. 95p. 9.25” x 6.25”. Composed in Ehrhardt and printed on Arches mouldmade paper. Brown morocco spine with green leather title label, green cloth boards with gilt relief illustration of Dr. Bachaus. Three full-page wood engravings of shopfronts by Wesley Bates, 15 tipped-in pieces - some in color, a fragment of the first book printed in San Seriffe, large fold-out, samples of various paste papers, facsimiles of title-pages, plus additional illustrations drawn from esoteric areas of book collecting and color photos. Black cloth slipcase. One in an edition of 185 copies. Fine. From the Prospectus: "In his 1980 ground-breaking Private Presses of San Seriffe, Dr. Theodore Bachaus introduced most of the country’s active and better-known presses. This new book aims to render a similar service for the leading specialist booksellers in this small republic. ... As will be seen San Serrifean booksellers give new meaning to the word ‘specialist’. Along with the book every purchaser will receive a personal letter from Dr. Bachaus, mailed directly from his office in Port Clarendon. Enclosed with this letter will be a small token of appreciation for the continuing support of his readers." The colophon in the actual book states that this is No. 9 of 200 copies, but this is so stated in every copy! [tag]Henry Morris[/tag] at his wittiest best; with some interesting and informative reproductions among his parodies!

(Bird & Bull Press) Recollections: My Life in Bookbinding. By Bernard C. Middleton.

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32. ([tag]Bird & Bull Press[/tag]) Recollections: My Life in Bookbinding. By [tag]Bernard C. Middleton[/tag]. With a Foreword by Dr. Marianne Tidcombe. Newtown. 1995. 105p. 10” x 6.5”. Black and white plates and illustrations. Printed in Dante on Arches mould-made. Navy leather spine with red leather title label, cream paper sides with a blue, red and gold design. Slipcase in navy and red cloth. An edition of 200 numbered copies. Fine.

(Bird & Bull Press) Numismata Typographica: The Medallic History of Printing

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(Bird & Bull Press) Henk Voorn to Henry Morris: Selected Correspondence June 1967-July 1981

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31. ([tag]Bird & Bull Press[/tag]) Numismata Typographica: The Medallic History of Printing. By William Blades. With a Foreword by [tag]Henry Morris[/tag]. Newtown. 1992. 144p, + XXIV plates. 11" x 8.5". Gray cloth over boards with paper title label and gilt title on spine. One in an edition of 300 copies. Fine. A reprint of Blades' book which originally appeared in monthly installments in The Printers Register, all parts published by 1883. It includes 24 full-page line plates depicting most of the medals described. An indispensable reference for the collector of printing medals.